Sonic (under)Currents and Currencies
Popular Music in East and Southeast Asia: Sonic (under)Currents and Currencies presents contemporary perspectives of the music discipline in East and Southeast Asia. It considers global influences, national industries, and regional genres with examples from Malaysia, Indonesia, Singapore, Taiwan, the Philippines, Hong Kong, Japan, South Korea, and the United States.
This book serves as an introduction to music genres, artists, and contemporary discourses in and of the East and Southeast Asian region. It contains local perspectives on the conceptualisation of genres, scenes, and industries, and offers a comprehensive inter-Asia matrix for popular music studies.
Contributors to the book touch upon a breadth of topics—such as historicity, masculinity and feminism, fandom cultures, cinema, gender identity, and politics—and render the book a useful source of current popular music discourses.
This book is suitable for educators, researchers, and music enthusiasts.
Inter-Asia Popular Music Studies 2020
- Rocking “Onward Singapore”: The Ethnopolitics of Singing a National Anthem
- Defenders of the Faith: How Internet Bulletin Boards Gave Rise to the Taiwanese Extreme Metal Community
- Subversive, Still in the Middle Ground: CHAI’s Assertions and Male Discourse of Authenticity
- How Digital Technology Contributes to the Growth of Small Independent Record Companies in Hong Kong
- Hitback: The Ballad as Venue for Political Protest in the Philippines
Florentino A Iniego, Jr
- Persona of A-Mei in Transition: Fan Identity and Identification
- Seiko Matsuda’s Concert and the AI Singing of Hibari Misora
- K-Pop in Malaysian Popular Music Education: Yea or Nay?
- Post-Local Pop in the Post-Global Condition?: The Case of Korean Indie Rock From 2007 to 2019
- The Introduction of American Folk Songs in South Korea and Japan: Focusing on YMCA and Rōon (Workers’ Music Association)
- Burgerkill Plays Dayton: The Arrival of Indonesian Metal in Ohio
Jeremy Wallach & Esther Clinton
- Creating a Local Music Scene and Translocal Network: Taking DIY Label Qiii Snacks Records in Guangzhou, China as an Example
- Louder Than Hell: The Rise of Latinx and Native American Metal
- In Search of a Sonic Space by Asian Artists: Performance of Indonesian Expanded Cinema with Live Stereophonic Sound in Japan
- Echoes of Times: A Study of Choral Arrangements of Taiwan Pop Songs
- Gender Troubles in Japanese Popular Music Culture?: The Case of Female Idols from “Gay Town”
- Popular Music and Fandom in the Smartphone Era
- Popularising Heritage and the Electronic Keyboard in Malaysia and Indonesia
Mayco A Santaella
- Representing Masculinity Through the Wind: Historiography of China Wind and the Chinese Nation
- Is “HINOMARU” a Patriotic Song?: From the Point of View of Reception
- Music Heals: An Analysis of BTS’ Fan Song “Magic Shop”
Nur Lina Anuar
- “Malaysia Truly Asia”: A Nation-Branding Campaign Song Firmly Rooted in Multi-Ethnic Origins
Shazlin Amir Hamzah
- Trans-Pacific Trajectories of “China Nights”: From a Japanese Wartime Song to Memories of the Far East in the United States
- The “Modern” in Sundanese Music Broadcast over the Radio in the 1930s and 1940sShota Fukuoka
- The Aesthetics and DIY Ethics of DJs as Asian Music Collectors
Taeyoon Kim & Haemin Ryu
- Negotiating Musician Identities: Busking Musicians and YouTube Musicians in Hong Kong
- The Rise of the Godfather of Broken Hearts: The Disruption of Local Music’s Campursari Through Didi Kempot’s Music Performances
- Research on the “Chinese Style” Works in the Field of Popular Music: A Case Study on Jay Chou’s Musical Works
- Voicing the Muhibah Spirit Through Namewee’s Ali, Ahkao dan Muthu (2017)
Xin Ying Ch’ng
Mayco A Santaella is an Associate Professor in the Department of Film and Performing Arts, and Associate Dean (International) for the School of Arts at Sunway University, Malaysia.